King Charles III

The last mainstage show of the 2019 Colorado Shakespeare Festival season starts performances tomorrow.

KING CHARLES III, a “future history play” by Mike Bartlett and directed by Kevin Rich, imagines what might happen when Queen Elizabeth II passes away and Prince Charles finally inherits the throne of England. It’s a modern-day Shakespearean play, written in iambic pentameter and including allusions to several of Shakespeare’s own plays. And there are accents!

Performances run July 19th through August 11th at the University Theatre on the University of Colorado-Boulder campus. You can find more info and tickets here.


The Mystery of Edwin Drood

My latest project started performances on Thursday, February 28th, at the Connecticut Repertory Theatre in Storrs, CT. THE MYSTERY OF EDWIN DROOD by Rupert Holmes and directed by Paul Mullins runs through Sunday, March 10th. It’s a delightfully light-hearted whodunnit musical based on Charles Dickens’ last, unfinished novel. What was his intention for the character of Edwin Drood? Was he in fact murdered? And who did it? You, the audience, gets to decide based on clues dropped throughout the night. Tickets and more info available here.


Sherwood: The Adventures of Robin Hood

My next project starts previews at the Cleveland Play House tonight. The play is Ken Ludwig’s Sherwood: The Adventures of Robin Hood, and it’s directed by Adam Immerwahr. It’s a light-hearted, action-packed telling of the myth with loads of accents - including accents of Nottinghamshire. The cast is wonderful, and the design is lush. If you’re near Cleveland, don’t miss it! Performances run through February 24th. More info and tickets are available here.


A Civil War Christmas

My next project is A Civil War Christmas by Paula Vogel and directed by Elizabeth VanDyke at the Connecticut Repertory Theatre in Storrs, CT. The play takes place on Christmas Eve, 1864, and follows the lives of many historical figures - and some invented - over the course of that one day. There are many different characters, and, as such, many different voices in the play - from Abraham Lincoln to John Wilkes Booth to Elizabeth Keckley to James Wormley.

Performances run November 29th through December 9th. Tickets and more info here.



I coached two shows that opened last week.

The first is GOOD CHILDREN by Tracy Thorne and directed by Michael Bradford at the Connecticut Repertory Theatre. It’s a new play that takes place in a world where language is dangerous and secrets abound. People disappear, and no one can do anything about it. The production runs through November 4th, and more information is here.

The second is CHARLEY’S AUNT by Brandon Thomas and directed by Joseph Discher at the Shakespeare Theatre of New Jersey. It’s a beautiful production of this rarely produced British farce - and the upper-crust RP accents contribute greatly to the hilarity! It runs through November 18th, and more information is here.

Long Lost John: A Lennon Family Story

Long Lost John: A Lennon Family Story written and directed by Ed Zareh opened last night as part of the Broadway Bound Theatre Festival. The play tells a story of John Lennon's early life, exploring his relationship with his mother, Julia, and follows him through his first encounters with Paul McCartney. I coached the Liverpool accents and had a great time! There are two more performances: August 6th at 8:30pm and August 11th at 1:30pm. All performances are at the Theater at the 14th Street YMCA in NYC.




My next project starts previews tonight. BEDLAM's production of Pygmalion by George Bernard Shaw and directed by Eric Tucker runs at the Sheen Center in NYC March 16th through April 22nd. It promises to be a production that will challenge your understanding of this iconic story and that will challenge your ideas of how socio-economic class and race contribute to identity and our perception of others. And it will make you laugh.

More information and tickets available here.


A Cavalier for Milady

Tonight will bring the last performances of White Horse Theater Company's production of the rarely produced Tennessee Williams play, A Cavalier for Milady. The WHTC production is directed by Producing Artistic Director Cyndy A. Marion at The Players in NYC. I coached Mid-Atlantic, Queens, and Russian accents for the play, which has some secrets in it that I won't give away here.

Tickets are available here for tonight's performances at 7 and 9:30pm.




My next project starts previews on February 5th at the Woolly Mammoth Theatre Company in Washington, D.C. The play is Familiar by Danai Gurira, and this production is directed by Adam Immerwahr. It's about a family who has emigrated from Zimbabwe to Minnesota, and now one of the adult children who has grown up in the States is marrying a white American man. There is Shona-accented English in the play, as well as some Shona language. There are two native Shona speakers working on the production, and we were able to work together to describe the sounds of the language and the accented English. It's been a thrilling process, and it's a wonderful play! 

Performances run at Woolly (641 D. St. NW, Washington, D.C.) February 5th through March 4th, and tickets are available here.



Good Men Wanted

This week, I went up to Poughkeepsie to do some dialect coaching for New York Stage and Film. The play is GOOD MEN WANTED by Kevin Armento and directed by Jaki Bradley. It takes place during the Civil War (sort of) and follows the journeys of several women who, for various reasons, disguise themselves as men in order to enlist and fight in the war. It's a powerful and engaging new play, and I had a wonderful time working with some of the cast on these historical accents.

Performances run July 20-30 in the Powerhouse Theater on the Vassar College Campus in Poughkeepsie, NY. More info and tickets available here.

And here's a snap shot from the train ride along the Hudson - always beautiful.